I bought this sampler back in 1981, when I was 13 years old and had a paper route. It was a double vinyl LP for $2.99, which was quite a steal.
In retrospect, it was a pretty much all over the place musically, but then, so was I.
Someone mentioned this comp on Facebook a few months ago and I ended up looking it up on Discogs.
I decided to try to see how many of the tracks I could track down, 35 years later, and was pleasantly amazed to find that, with only a little work, I was able to find that every track was legally streamable. (Re-assembling this on Spotify, Tidal, or other services is left as an exercise for the reader.)
When you think about it, that’s pretty incredible: a compilation of new artists, selected specifically for their relative obscurity, and 35 years later all of the songs are easily available through the mechanisms most used by modern listeners to play music in their homes and on the go. What are the odds that a slate of 22 catalog artists from 1946 would have been available in 1981?
I don’t know if this is useful at all if you don’t subscribe to Apple Music, but I wanted to see how their new(ish) embedding/linking tools work. It’s also an excuse to share a few songs from what has been my favorite record label for a few years now, Ghost Box Records.
Unfortunately I’m not sure if this is useful at all to non-subscribers, but I put a few minutes into compiling a playlist on Rdio this morning.
The idea behind it its simple: songs that get in and get out in less than two and a half minutes. No flab, no self-indulgence, not many solos. 😃
The embedded iframe is currently a Flash wrapper. (sigh)
Maybe they fix that someday...
The best equipment for your work is, of course, the most expensive.
However, your neighbor is always wasting money that should be yours
by judging things by their price.